Creating a Fantasy Creature
Aug 16, · Here are my top 10 tips for creating a creature for your writing. Creating a creature can be a difficult task but it is well worth the effort. An interesting. Creating Fantasy Creatures Learn everything you want about Creating Fantasy Creatures with the wikiHow Creating Fantasy Creatures Category. Learn about topics such as How to Create Your Own Mythological Creature, How to Create Your Own Monster Character, and more with our helpful step-by-step instructions with photos and videos.
Creature creatjre is built on the foundation of understanding real-life animals. Even when we design fantastical creatures like dragons or demons, pulling from nature can help make it more believable. Learning how to draw real-world fsntasy, like how to draw a bearcan go a long way when tackling fantasy creatures. First, I explore how to shoot a paintball gun animals themselves. Drawing each species helps me get to know their anatomy.
I take note of certain traits, proportions, markings and shapes as I draw. Then I find a shape inspired by one of the animals, which acts as a foundation for where I'd like fo go. With my best pencils to hand, I use a harder pencil lead to keep things light and workable. I'm only concerned with getting down big shapes, like the shape of the head and general body and tail. Studying crsature certain animals carry themselves will help you pose your creature.
I'm looking to the tapir and spiny tailed lizard. I find a stance between these two animals and tweak it to make sure it looks ro. I sketch out the rest of the animal to find the landmarks, such as the shoulders, knees and the rib cage, using boxes and planar shapes to help flesh out the creature. Now I add detail and other shapes, looking at uow secretary bird.
Claws, spikes, scales, fur and feathers help to flesh out its silhouette. It's creaate to make it iconic. Having too much detail or "stuff" happening on your creature could dilute the effectiveness of your design.
As usual, I start light, and keep in mind the characteristics I want to combine. I'm always asking myself questions. What does this creature eat? How big fantas this creature? What is its general attitude?
Is it male or female? Addressing these areas can help direct your design. Next, I begin to lie in big forms. I want to find the anatomy of this creature. Because my beast has a skeleton, I'm careful to take note of where certain bones and landmarks are. I indicate key elements like the shoulder blades, the pelvis and the rib cage. These large forms will help me indicate where the muscles lie and help build a more believable creature.
Remember to keep it fantash We want creafe build on top of this drawing as we go. From here, I begin to define muscle groups, being sure to understand where certain muscles are connecting. This is vital and is informed by producing lots of animal drawing.
It's important to know how to make big waves in hair with curling iron muscles lie on your creatures for animation and modelling. Being able to show and tell where and how your creature moves is crucial when creating a grounded creature design. Keep the shapes big and light at this point. Think about where the muscles would attach to the bone. Next, I begin to define certain what makeup to buy for natural look and shapes, always being careful to look at my reference.
Here I'll begin to look at the tapir for the bulk of the body and the feet. The spiny tailed lizard helps with the tail, head and texture of the creature. I creatuee look to the secretary bird for ideas about feather placement, eye placement and eventually colour.
When I draw in a new body feature, I'm careful to start with a lighter touch. As I build up my creature, I push down harder on my tp.
As you draw those tapirs, you notice that each toe has a different shape and that the front legs have xreature toes. You'll notice the shape of the secretary bird's eyelids and the way the skim folds on the face. These are slightly more effective than a kneaded eraser and will do a better job of fantsy the Col-Erase lines that you put down.
You can cut them with a sharp knife to create a nice corner for precision erasing. Words: Brynn Metheney. Brynn specialises in creature design, fantasy illustration and visual development. This article originally appeared in ImagineFX magazine issue Please deactivate your ad blocker in order to see our subscription offer.
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Sep 19, · When designing a fantasy creature, always have in mind where this beast’s habitat might be, what it might eat, whether it’s nocturnal, and whether it's something's prey or a predator. All of these things will influence the final design. For instance, if you had a large herbivorous animal, ask yourself what does it eat?Author: Emily Hare. Creating a Fantasy Creature 3D Character Creation in ZBrush and Maya with Babak Bina. Auto; Chapter List. Description. Turn your ideas into fully realized 3D illustrations with these workflow tips and tricks by industry VFX artist, Babak Bina. With over a decade of experience working in film and TV and credits including Avengers Infinity War. Name the creature’s species. In the case of the Megatrath I wanted the name to convey brute strength, patience, arid terrain, and the largeness of its body. Mega for the size and strength, and trath combined trek (like a long journey) and wrath. This is a simple system but it has worked very well in creating my fantasy worlds.
There are many ways to approach creature and character design , and it all depends on what you want your end result to be. Look to the natural world for inspiration, as this can help you come up with some odd-looking creatures. One of the best places to spark off ideas is with a Google search — try exploring deep sea fish, unusual birds and bizarre insects.
All of these things will influence the final design. For instance, if you had a large herbivorous animal, ask yourself what does it eat? Who hunts it? If it has natural predators then what — if anything — has it evolved to protect itself? All of these questions should go through your mind at some point. To help fill your brain with creature ideas, watch nature documentaries and look through wildlife photos on Pinterest or general Google searches.
Instead, imagine what would happen if two of those creatures had babies. What would they look like? A fun way to make something new is to combine flora and fauna. For this craggle a cannibalistic fairy caterpillar I wanted a creature that could hide in plain sight to ambush his prey. His prey, the wiffle, are fond of psychedelic mushrooms, so the craggle hides among these mushrooms, and is able to do so because there are fungi-like growths on its back.
This is a tarlak, one of the inhabitants of the world that I created for my book Strangehollow. This bristly, hairy chap has been influenced by warthogs and wild boar. I wanted a forest-dwelling vegetarian that was pig-like and used his tusks to dig the ground for delicious root vegetables of some kind.
He also needed to be able to look after himself if he was attacked by one of the local predators. His tusks would make formidable weapons against even the most persistent of carnivores. This little chap was inspired by squirrels and pugs. For inspiration for dragons you can look at all kinds of creatures. The usual ones to study would be Komodo dragons, crocodiles and other lizards, but check out less obvious creatures that will leave you with an unconventional dragon, which hopefully will have more variety.
Birds are great for that dead-eyed, carnivorous stare — even a chicken has that Another way to make your dragons more interesting is to take aspects of mammals and other toothy creatures and add those to your dragon.
For this red beast I used inspiration from animals with tusks, wild boar and particularly the crushing jaws of a hippopotamus. I used to live near a natural history museum that was filled with the most amazing animal skeletons. If you have anything like that near you, take some time to go there with your sketchbook to gain inspiration for your creatures. The hippopotamus skull was particularly amazing to see and definitely influenced this dragon. I created this dragon who eats dead trees.
He hibernates! I imagined them leaping about, maybe yelling compliments of a sort to you as you went on your way through the forest. This is the creature that appeared as a result. If in doubt, adding a nude pink bottom is highly amusing. This article originally appeared in ImagineFX , the world's leading magazine for digital artists. Subscribe here. Please deactivate your ad blocker in order to see our subscription offer.
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